An Interview with Derek McCormack
by Kevin Killian
I met Derek McCormack at a conference staged at, of all places, Buffalo
New York. At that time he'd written two collections of short stories
Dark Rides (1996) and Wish Book (1999), and was working on a novel,
The Haunted Hillbilly, which has since appeared. These books were all
published in Canada, but a brace of US publishers are bringing them
out in the US this year. Soft Skull Press will print the novel, and "Little
House on the Bowery," an imprint of Akashic Books, has issued
Grab Bag, an omnibus of the two volumes of short stories. McCormack
is one of the most interesting writers of our day, and his stories
will live forever as masterpieces of a bittersweet cruelty which, once
indulged in, renders both giver and taker helpless, hooked on the wrong.
As Britney Spears says, "I'm slipping under, with a taste of a
poison paradise. I'm addicted to you, but you know that you're
toxic."

Kevin Killian: What star sign are you, and how does it influence your
work?
Dennis McCormack: I'm a Gemini. On the cusp of Cancer. Is that good
or bad? I don't understand astrology. John Taylor of Duran Duran was
born
on
the same
day. It seemed cool in high school.
KK: Speaking of stars, what has been your most electrifying star sighting?
DM: I bumped into Paul Walker in Chicago. Is he hot. I saw Xander
from Buffy. At a mall in Hollywood. The mall that looks like a Griffith
set. I can't remember its name. The Academy Awards are held there.
I tailed him into a bar. I pretended to make a phone call. I stood
by the payphone with the receiver in hand. Didn't dial. Didn't talk.
forgot to. I was so excited.
KK: Now that you are "invading America," what
are your hopes and fears? If like KD Lang, doing a new LP of covers
of songs by Canadian
composers, you were pressed to cite your favorite Canadian writers,
could you?
DM: "Invading." That's funny. Fears? The usual. People not reading
the books. People reading the books. Hopes? I want to see some haunted
houses. Knott's Scary Farm. The Haunted Mansion. I'd love to see the
Enchanted Forest in Oregon. I have a bunch of books about it. I feel
like I know the family who founded it. As for Canadians . . . I'm a
big fan of Tony Burgess. He writes hallucinatory horror novels. The
best known is Pontypool Changes Everything. Caesarea's my personal
pick. It's a beaut.
KK: When I was out sick in 2003, I kept thinking
of myself as a character in one of your books, thrust into the hospital
in indignity. Why are
doctors and nurses so sexy?
DM: Well, I think I know why they are for me. I was a super-sickly kid.
In and out of hospital. Operations. It was like that till well into
my twenties. I thought that the only way I could survive it was to
sexualize surgery. The restraints. The anaesthetic. The cystoscopies.
I never succeeded. I mean, it never stopped being scary and painful.
It was, however, the closest I got to sex. I'd get these incredibly
handsome interns handling me. It was mortifying and tender. It was
like proms.
KK: I've never been to Toronto, though I've heard
it's a city 90% of which is completely underground, and some of its
citizens never see the sun.
Others have told me this isn't true. Have you lived there a long time?
DM: You make it sound way more exciting than it is. A city of mole-rats!
I've lived here for almost twenty years. I moved here to attend university.
U. of T. I dropped out.
KK: What figure from the 1950s inspires you?
DM: Charles James. [UK-born American couturier (1906-1978). Famous for
his "sculpted dresses," he is said to have been the first
designer to emphasize the zipper, thus ushering deconstruction into
high fashion. He designed with the "precision of an engineer," and
for a goof was responsible for Gypsy Rose Lee's break-away striptease
costumes, as well as his bread and butter, the sumptuous evening gowns
worn by the swans of the Best Dressed List-Babe Paley, Marella Agnelli,
Mona von Bismarck, Millicent Rogers et al. He died broke at the Chelsea
Hotel twenty years after a mysterious retirement.]
KK: Are you planning a non-fiction book?
DM: I've got one on the go. It's about Christmas commerce in Canada. It's
the history of fake snow and gift wrap and holly farming, etc. The
country's first turkey processing plant. In Turkey Point, Ontario.
This morning I visited the headquarters of Toronto's Santa Claus parade.
A warehouse where they store floats and costumes. They had this one
float, a haunted house. All black and gray. Jack-o'-lanterns on pikes.
Isn't that crazy? In a Christmas parade? Pizza Pizza commissioned it.
KK: If cruelty were a virtue, would it still be the fuse that drives your
writing?
DM: I think so.
KK: Did you get to meet Timothy Findley while
he was alive? [Timothy Findley, one of Canada's leading novelists,
was the author of The Last of the
Crazy People (1967), The Wars (1977), Famous Last
Words (1981), and many other classics of Canadian literature. He
lived on "a picturesque
farm" in Ontario and was a great friend of the actress Ruth Gordon.
He died in June 2002.]
DM: I read at a gay pride event in London, Ontario. Years ago. Me, Tiff
Findley, Shyam Selvadurai, a bunch of other folks. I read from Wish
Book. What a bomb. Findley hated me. He refused to have his picture
taken with me afterward. So I got left out of the group photo. As I
was leaving, I stuck my hand out. "Pleasure reading with you," I
said. "I'm sure it was," he said.
KK: Some writers are described as "magicians
with words."
DM: When I was a kid I fancied myself a magician. I did shows at old folks
homes. My sister assisted. I think I made her wear a French maid costume.
That's not really an answer, is it?
KK: It wasn't a very good question. What does your family make of your
writing?
DM: My sister loves it. My folks are looking forward to my Xmas book.
KK: Favorite play by Shakespeare?
DM: Macbeth.
KK: If money and/or bashfulness were no problem, what would you go as
for Halloween?
DM: Thing is, I hate dressing up for Halloween. I love trick-or-treaters.
I love decorations. But costumes make me claustrophobic. So, I probably
wouldn't go as anything. Surgery doesn't scare me, though. I'd happily
go on Extreme Makeover. I'd love to look like Jake Gyllenhaal.
KK: Sometimes I think writing fiction is more confrontational than poetry,
in that it more freely exposes the fantasy life of the writer. Does
it take courage to write, or are we just little children playing with
crayons on the wall?
DM: I don't feel courageous. I don't really feel exposed, either. I think
of my books as tricks. They're like X-ray Spex. You think you're looking
at an X-ray. But it's really feathers.
For more information about Derek McCormack, visit him online at: Suspect
Thoughts
This interview originally appeared online in Suspect
Thoughts.

Kevin Killian, born 1952, is a poet, novelist, critic and playwright.
He has written a book of poetry, Argento Series (2001), two novels,
Shy (1989) and Arctic Summer (1997), a book of memoirs, Bedrooms
Have Windows (1989), and two books of stories, Little Men (1996) and I
Cry Like a Baby (2001). For the San Francisco Poets Theater Killian has
written thirty plays, including Stone Marmalade (1996, with Leslie
Scalapino) and Often (2001, with Barbara Guest). His next book will
be all about Kylie Minogue.